Oh, Murakami, you sly fox, you mercurial and fluid, thread a web between East and west that we at once desperately need and can’t quite comprehend. And yet we return, thirsty and increasingly drunk of the elixir that is the product of your craft.
What. A. Quote! Now, here we have the a monolith in name, diction, style, form, class, you name it who’s greatest achievement is rekindling the fire of what makes a novel a novel, or bending, no, rewriting the rules of literature and yet despite all that here he is claiming that all he’s written is […]
“A line will take us hours maybe, Yet if it does not seem a moment’s thought, Our stitching and unstitching have been naught. Better go down upon your marrow bones And scrub a kitchen pavement, or break stones Like an old pauper, in all kinds of weather— For to articulate sweet sounds together Is to […]
Writing a novel is a complicated equation involving a lot of variables and moving parts — not the least of which are the authors themselves. In fact, the process of writing a novel is so arduous and soaked in magical thinking that many writers struggle to explain the process coherently,
A strange thing happens when you begin to contemplate the end. It’s as if setting such a definitive goal opens the world to endless possibilities: a phone is buzzing,
“My sudden love of these two women came into existance upon two separate planes of thought
Like a split in the multiverse that is the self.
Shay. Shay is stability. Comfort. Success.
Whereas Ingrid. Ingrid claims the part of me which belongs to the world. A manifestation of my desire to roam freely and simply be.
But, I know in my heart of hearts these two worlds can not coexist.
For they, separately, are everything. Yet together, in the folds of life, they cancel each other out.”
–In Another Country